Evolution of my art. . .
from 2002 to 2007
by
Linda Jo Hunter
When I went to Alaska to work with Mike at Redoubt Bay Lodge I knew I
would be spending many hours watching bears and I couldn't afford a
good camera. I was determined to teach myself to draw.
The
first season in Alaska I would carry a very small sketch pad with me
and whenever my guests were busy taking photographs and didn't need my
help I would covertly take out my pad and try to draw bears.
My
first efforts were primitive, but when I look back on those first
drawings I can see how inspired I was by watching bears, real live
bears that aren't romantically posed or majestically placed on some
mountain . .
this drawing (done that first season)
shows that I was starting to see the bear's character.
In 2003 I practiced making quick sketch's of bears as they moved around
the cove and did their daily routines of fishing, resting and reacting
with each other. This is an example of the gesture sketch:
Then, I started to learn how to paint. Because I was camping
all
summer, I started with watercolor pencils. My first efforts were very
primitive indeed . . it wasn't long before someone talked me
into
using watercolor paints instead. I didn't have time to take a class but
thought I could figure it out for myself. . all the other artists are
probably laughing here . . and I found out that making something look
3D in paint is not that easy, but whenever I just stuck closely to my
inspiration I did OK. The following is an early watercolor of Baylee,
asleep next to the cove.

Baylee is a mother bear who is one of
the main
characters in the drama that surrounded the bears in the four seasons I
worked at Redoubt Bay. She is the main character in "Growing Up
Grizzly" by Amy Shapira and Douglas H. Chadwick, a true childrens story
book illustrated with photographs taken by Amy as the story unfolded in
the wild.
.
The next one is a watercolor done at Redoubt Bay in our small cabin
between the last plane for the day and dinner . . I used only sepia and
cobalt blue to catch the mood. This was done in 2004.

As you can see, I am starting to realize that watercolor is also about
the paint and the paper . . I especially like the portions of this that
were done with wet paper and paint.
By 2005 I was starting to use the unpredictable nature of watercolor to
acheive what I wanted. This next watercolor is of Mona, and her
character does come out.

Mona looked at me with this expression and I snapped a photo. I also
drew it on the spot and later put it together in the studio back in
Stevenson, Washington. Mona is the old mother bear who in my book
"Lonesome for Bears" forgets she has cubs sometimes. . and other
stories. Unfortunately she hasn't been spotted yet this 2007
season.
By the end of the 2005 season I was starting to get frustrated as with
watercolor as a medium for expressing what I have to say about bears. .
I literally went back to the drawing board and produced this sketch:

This is done from one of Amy's photographs. Almost anyone would
recognize Baylee from this one. Shirlena, one of our guides
saw
some of my watercolors and sketches in Bahma's, a coffee shop in my
town, and exclaimed "those are my bears" . . then she asked if they
were my art. I came in the coffee shop shortly after and the
girls who work there told me all about it. But doing charcoal and
pencil made me realize I needed another painting medium for a while. .
not that I will ever give up watercolors. Mike gave me a class in
Acrylics for a birthday present last fall with David N. Kitler, a
Canadian wildlife artist and I painted the following:

This bear, one of Mona's daughters was named after Amy Shapira by the
guides at the lodge. Unfortunately she was shot in Wolverine Cove by
hunters in the fall of 2006, just before I took my class in acrylics.
Amy Shapira sent me a photograph of her and I painted this
from
it in class. There wasn't anything else I could do with this painting
but send it to Amy.
After this painting, I have
been having a
very good time making the memories of the bears I knew come to life in
more detail in acrylic paint.
I welcome your comments,
just email me at 4linda@gorge.net
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